Things That Matter Most: Chapter 12 - The Song of Moses and the Lamb
By John Henry Jowett
IN the mystical and mysterious book of Revelation there is a strange and jubilant song sung by "them that have gotten the victory over the beast." I am not concerned to identify any particular beast over whom these singers had proved victorious. The beast may very well and justly stand as typical of all that is unspiritual, the general beastliness which man has to encounter as he struggles towards his crown. Tennyson gives me the suggestion I seek in his description of the four tiers of symbolic sculpture which adorned the walls of Merlin's Hall:
On the lowest beasts were slaying men;
On the second men were slaying beasts;
On the third were warriors, perfect men,
And on the fourth were men with growing wings.
The singers in the Seer's vision had attained to this glorious power of wing; they had gotten the victory over the beast.
And what was the burden of their song? First of all they sang the eternal righteousness of God. "Righteous and true are Thy ways." That is ever the main theme of psalmist, prophet, apostle, martyr, and saint; that is the ground-work of the heavenly music, the very stuff and substance of the song. The praise of the blest is not primarily concerned with the tender love of God or His infinite compassion; not first with the flowers of the earth, but with earth's enduring frame; not first with God's graces, but with His grace, His incorruptible holiness. For what love can there be without a basis of truth? And what is the worth of mercy without the solidity of rectitude? And so it is that when these singers break into song this is the theme of their music: "Holy, holy, holy is the Lord!"
And, secondly, their music wanders among the wonders of God's progressive providence. "Great and marvellous are Thy works! "These works are not primarily the works of nature, but the works of grace. The singers are contemplating the truth in its conflict with falsehood. They are watching the wonders of holiness in its hallowing ministries among the children of men. They are recalling the romance of God's providence as they see it unrolled through the generations of their own troubled national history. And their doxology of providence and grace gathers about two names, the names of Moses and the Lamb. In their songful recital of providential deliverances these two names seem to crystallize and tell the story. And what is the significance of the names? Surely it is this: Moses signifies emancipation from social bondage; the Lamb signifies emancipation from spiritual bondage. Moses stands for deliverance from wrong. The Lamb stands for deliverance from sin. Moses delivers from the wrong which man may suffer from his brother. The Lamb delivers from the wrong which man may suffer from himself. Moses delivers from the Pharaoh outside man. The Lamb delivers from the devil within man. Moses delivers from the gall of oppression and pain. The Lamb delivers from the gall of guilt and sin. This is the song the singers sing, the "Song of Moses and the Lamb"--Thy marvellous works in Moses against all wrong; Thy marvellous works in the Lamb against all sin!
